
COMING SOON
Van: Shahrbanoo Sadat
Waar: cinema
Genre: comedy romance
Release datum: 25 november 2026
Tijdsduur: 103min
Cast: Shahrbanoo Sadat, Mohammad Anwar Hashimi
GoedGezien:
Kaboel, 2021, aan de vooravond van de terugkeer van de Taliban. Naru is de enige vrouwelijke cameravrouw bij de belangrijkste televisiezender en maakt zich grote zorgen over het gedrag van de mannen in haar land. Van de ene dag op de andere wordt ze eropuit gestuurd met Qodrat, de sterjournalist van de redactie. Terwijl ze samen door de hoofdstad trekken, die haar laatste momenten van vrijheid beleeft, begint Naru haar overtuigingen in vraag te stellen: wat als er uiteindelijk toch een goede man bestaat?
Downloads: STILLS
Shahrbanoo Sadat (she/her) is an Afghan filmmaker based in Ham-burg, Germany, since the fall of Kabul in 2021. She has been selected three times for the Directors’ Fortnight at the Cannes Film Festival—with her short film VICE VERSA ONE in 2011, Her debut feature WOLF AND SHEEP in 2016 (Camera d’Or nominee and CECAE Award winner), and her second feature THE ORPHANAGE in 2019. At just 19 years old, Shahrbanoo became the youngest filmmaker ever selected for the prestigious Cannes Cinéfondation Residency, where she developed WOLF AND SHEEP in 2010. WOLF AND SHEEP and THE ORPHANAGE are both part of a planned five-part film series inspired by Anwar Hashimi’s unpublished 800-page autobiographical manuscrit.
NO GOOD MEN is the third installment in the series. Shahrbanoo served on the jury for the Best First Feature Award at the Berlin International Film Festival. She has also been a juror at several other esteemed festivals, including the Locarno Film Festival, Torino Film Lab, Festival des 3 Continents in Nantes, Reykjavík International Film Festival, FIFDH, and many others.
“A high-wire tonal experiment, placing a classic battle-of-the-sexes workplace romcom against a backdrop of life-or-death conflict” - Variety
“No Good Men starts off as an amiably lo-fi romantic comedy with a juicy streak of jet-black satire and somehow transforms into a devastating political commentary that gives a whole new meaning to its seemingly tongue-in-cheek title.” - Deadline
Met steun van het Creative Europe-programma – MEDIA van de Europese Unie